The composer states in the Kingdom Hearts III Ultimania book how her basis for this version was Liszt, and it shows. It all leads to a grand orchestral climax, still accompanied by these stunning piano runs, which, even as we slow back down towards the finish, join with playful flute to resolve us in calming wonder. And yet, though we’ve returned to the familiar, this is still a new journey: around the minute mark, the piece slowly builds in energy, soon after which Shimomura’s piano accompaniment starts going wild in a way that will characterize the best of this score. She says that she wanted to begin the track with a sense of difference before welcoming us back home, and at 0:25 in the track, the warm piano melody does just that.
Nearly two decades in, so she does again. Each time, she adds new layers, new emotions, a fresh perspective. It always amazes me, each time we hear a new rendition, how Shimomura has been able to reinvent for so long what was originally such a simple piece. In a Square Enix interview from December 2020, Shimomura discussed her approach to the next track, “Dearly Beloved -KINGDOM HEARTS III Version-“, a theme widely considered to be the overarching motif of Kingdom Hearts.
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Like its predecessors, it builds from humble beginnings to full symphonic force, the brass near the end beckoning us forward into the thrilling unknown. Wada imbues both with orchestral splendor, the former especially setting up a grand stage for this climactic adventure. The first pair of tracks, “Don’t Think Twice -KINGDOM Orchestra Instrumental Version-“ and “Face My Fears -KINGDOM Orchestra Instrumental Version-“ are arrangements of collaborations from Shimomura and singer Utada Hikaru, who returns to the franchise for not one but two new songs. In past games, this master composer has contributed a handful of orchestral arrangements, and so he does again. Their absence will be disappointing if one has played the game, but the strength of what has been included should still have spirits soaring.Īt the outset returns another familiar name, Kaoru Wada. Unsurprisingly, this also means that much work from KHIII has been left on the cutting room floor. One last note before diving in, but as will be apparent at a glance, what we have here is not only music from one game, but a small compilation from other fascinatingly titled entries, as well. For now, suffice it to say, the wait was worth it. But there will be time enough throughout this review to rave about how Shimomura and company outdo themselves again and again. Although her direct contributions to KHIII appear quantitatively less than in the past, together with her many collaborators on this sizeable album she elevates the soundscape to new heights, while also looking ahead to the franchise’s future. Luckily, Yoko Shimomura is the genius behind Kingdom Hearts’ musical soul.
Fans will want to hear familiar themes and cherished motifs, but at the same time it’s important to imbue the nostalgic with new ideas and perspectives: to elaborate, explore and transform in creative ways and thus give new life and meaning to the material. This is, as I’ve remarked in other reviews, an ideal approach when composing for a sequel. It took a while, but we eventually got it-a release for a score that is both intimately familiar yet drastically different from any entry before. Since Kingdom Hearts III came out early in 2019, fans eagerly awaited a soundtrack release of the game’s music.
A massive keyblade war occurs thanks to former keyblade wielders and the Light of the Past, which takes out the massive hoard of darkness.KINGDOM HEARTS – III, II.8, Unchained χ & Union χ – Original Soundtrack In the Keyblade Graveyard, the group encounters Xehanort disguised as Terra, but an armored Terra intervenes and the two do battle while the rest of the group battles a swarm of Heartless. She was the one who was keeping Sora’s light in tact while in The Final World. Sora makes his way back to his friends in the Keyblade Graveyard, and while doing so, encounters Kairi. Unlike his former visits, Sora is unable to leave at will, but after recovering his body, he makes his way to various worlds to save the Guardians of Light and restoring his friends’ hearts, which - according to Young Xehanort’s warnings - will likely come at the expense of his own. The Final World is a place where hearts go when their bodies perish, but the heart is holding on to something. Sora meets Chirithy, who informs Sora that he has actually been in The Final World before, during his visits to the Station of Awakening.
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